Hay in Art Database: Search Results Your search returned 725 matches.
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Image: ID: 3 Artist: unknown Artist Birth Date: Artist Death Date: Artist Country: British Title of Work: Anglo-Saxon hay making Date of Work: 11th century Medium: manuscript Period/Style: before 1500 URL: http://ibs001.colo.firstnet.net.uk/britishlibrary/controller/textsearch?text=hay+sickles+june+calendar&y=7&x=10&idx=1&start=0 Citation: Index Words: haycart, wagon, wain, sickle, fork, workers, Anglo-Saxon, British Library Place: England Notes: [Miniature] Calendar page for June. Man blowing horn, while four men are cutting hay with sickles, and another holds a sheaf. Standing on the the cart, another holds a pitchfork. Cotton Tiberius B. V, Part 1. Essays:
Image: ID: Artist: 4 Artist Birth Date: unknown Artist Death Date: Artist Country: Title of Work: British Date of Work: October hay making Medium: 11th century Period/Style: manuscript URL: before 1500 Citation: http://www.tiscali.co.uk/reference/encyclopaedia/hutchinson/m0018809.html Index Words: Place: haycart, wagon, wain, scythe, workers, Anglo-Saxon, British Library Notes: England Essays: Calendar for October, from an 11th-century English manuscript. Farm workers are gathering in the hay crop with scythes and pitchforks. (Image © The Art Archive/British Library)
Image: ID: Yes Artist: Artist Birth Date: 6 Artist Death Date: unknown Artist Country: Title of Work: Date of Work: British Medium: Harvest cart going uphill Period/Style: 1335-1340 URL: manuscript Citation: before 1500 Index Words: http://ibs001.colo.firstnet.net.uk/britishlibrary/controller/textsearch?text=waggon&x=5&y=8 Place: Notes: haycart, wain, wagon, horses, workers, fork, British Library Essays: England
Image: ID: Missed stacks and mistakes Artist: Yes Artist Birth Date: Artist Death Date: 76 Artist Country: Stubbs, George Title of Work: 1724 Date of Work: 1806 Medium: British Period/Style: Haymaking URL: 1785 Citation: Oil Index Words: eighteenth century Place: http://gallery.euroweb.hu/html/s/stubbs/haymake.html Notes: Essays: wagon, horses, woman, women, workers, rake, fork
Image: ID: ^^^ http://www.tate.org.uk/servlet/ViewWork?cgroupid=999999961&workid=13991&tabview=text&texttype=10 Artist: Roles in the hay (work) Artist Birth Date: Yes Artist Death Date: 77 Artist Country: Stubbs, George Title of Work: 1724 Date of Work: 1806 Medium: British Period/Style: Haymakers URL: 1794 Citation: enamel on ceramic Index Words: eighteenth century Place: http://www.hayinart.com/images/77.jpg Notes: Connoisseur v.87 (April 1931) p. 235. Rosenthal, Michael. British landscape painting. Oxford: Phaidon, 1982, p. 93. Kidson, Alex George Stubbs: a celebration. Tate, 2006, p.8. Essays: hayfield, women, rakes, tedding
Image: ID: Thirty years ago, in the English weekly Country Life, Basil Taylor described Stubbs as 'the most searching an original interpreter of English rural life...[which] has had two obvious aspects: the utilitarian, represented by agriculture and the management of the land; and the sentimental, the belief that country living, even if it could only be experienced vicariously, is a desirable counterpart or alternative to urban existence.' These distinctions are reflected in two genres of landscape painting, the first descriptive, documentary, topographical, often naive, but in the hands of Stubbs raised to a very high level of sophistication and originality. Stubbs, in contrast to so many of his contemporaries and followers who leavened the drudgery of rural work with implied narrative, shows figures unconnected by conversation or flirtation, simply working. However, Stubbs' compositions are carefully staged, idealized tableaux, his characters unstained by dirt or sweat. In the 1785 Hay Carting the rakes and forks are tools, not just to move the hay but to stabilize and formalize the main pictorial elements into a serene triangle. The central woman with the vertical rake reappears in the oval-framed Haymakers nine years later; but the composition of the later work is less static: the scythers are given more space than the men and woman turning the hay with forks behind and on the right. In the 1795 version of Hay Carting (ID 78), the woman, no longer facing the spectator, is vigorously using her rake on a pile of sunlit hay; but her companions retain the poses and positions of the earlier work. Artist: Missed stacks and mistakes, Early hay poems from Lydgate to Hood. Artist Birth Date: Yes Artist Death Date: 78 Artist Country: Stubbs, George Title of Work: 1724 Date of Work: 1806 Medium: British Period/Style: Hay carting URL: 1795 Citation: oil Index Words: eighteenth century Place: http://www.hayinart.com/images/78.jpg Notes: Connoisseur v.87 (April 1931) p. 215. Rosenthal, Michael. British landscape painting. Oxford: Phaidon, 1982, p. 92. Kidson, Alex George Stubbs: a celebration. Tate, 2006, p.8. Essays: wagon, horse, woman, women, rake, workers
Image: ID: In the 1785 Hay Carting (ID 76), the rakes and forks are tools not just to move the hay but to stabilize and formalize the main pictorial elements into a serene triangle. The central woman with the vertical rake reappears in the oval-framed Haymakers nine years later; but the composition of the later work is less static: the scythers are given more space than the men and woman turning the hay with forks behind and on the right. In this version of Hay Carting, the woman, no longer facing the spectator, is vigorously using her rake on a pile of sunlit hay; but her companions retain the poses and positions of the earlier work. Artist: Roles in the hay (work) Artist Birth Date: Yes Artist Death Date: 79 Artist Country: Stubbs, George Title of Work: 1724 Date of Work: 1806 Medium: British Period/Style: Reapers URL: 1785 Citation: oil Index Words: eighteenth century Place: http://www.tate.org.uk/servlet/ViewWork?cgroupid=999999961&workid=13992&tabview=text&texttype=10 Notes: Essays: harvesting, sheaves, stooks, sickle
Image: ID: Seen in an exhibit of Stubbs' work at the Frick, May, 2007. Stubbs' harvest scene is comparable to his depiction of haymaking in the same year. The format and style are similar, but in Reapers the stolid overseer, in fine clothes on an equally fine horse, watches the work done by others, in contrast to Stubbs' hay paintings in which everybody works. The Frick curator compared Stubbs' paintings to nostalgic pastoral poetry celebrating the simple virtues of rural labor...popular among city dwellers. The details, from the texture of the sheaves to the shining stirrup, reveal nature both as it is and as it ideally might be. Artist: Missed stacks and mistakes Artist Birth Date: Yes Artist Death Date: 81 Artist Country: Lens, Bernard III Title of Work: 1682 Date of Work: 1740 Medium: British Period/Style: Haymaking URL: early 1700s Citation: oil Index Words: eighteenth century Place: http://www.hayinart.com/images/81.jpg Notes: Apollo ns77 (March 1963) p. 228 Essays: haycart, horses, haycocks, haystacks, rake, woman, workers
Image: ID: Artist: Early hay poems from Lydgate to Hood. Artist Birth Date: Yes Artist Death Date: 87 Artist Country: Gainsborough, Thomas Title of Work: 1727 Date of Work: 1788 Medium: British Period/Style: Landscape with peasant and horses URL: 1755 Citation: oil Index Words: eighteenth century Place: http://www.hayinart.com/images/87.jpg Notes: Belsey, H. TG: A Country Life. Prestel, 2002. p.63. Rosenthal, Michael. British landscape painting. Oxford: Phaidon, 1982, p. 31. Essays: haycart, horses, haycocks, workers, rake, fork
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