| Hay in Art Database: Search Results |
Your search returned 787 matches.
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| Image: |
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| ID: | 533 |
| Artist: | Pissarro, Camille |
| Artist Birth Date: | 1830 |
| Artist Death Date: | 1903 |
| Artist Country: | French |
| Title of Work: | Snow effect at L'Hermitage, Pontoise |
| Date of Work: | 1875 |
| Medium: | oil |
| Period/Style: | nineteenth century |
| URL: | http://www.hayinart.com/images/533.jpg |
| Citation: | Impressionists in winter: effets de neige. Washington, DC: Phillips Collection, 1998 |
| Index Words: | haystacks, winter |
| Place: | France |
| Notes: | In this snow scene, the content of the low stacks is ambiguous, perhaps either hay for winter fodder or manure to be spread as fertilizer when the fields soften. |
| Essays: |
| Image: |
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| ID: | 534 |
| Artist: | Sisley, Alfred |
| Artist Birth Date: | 1839 |
| Artist Death Date: | 1899 |
| Artist Country: | French |
| Title of Work: | Haystack |
| Date of Work: | 1877 |
| Medium: | oil |
| Period/Style: | nineteenth century |
| URL: | http://www.the-athenaeum.org/art/detail.php?ID=950 |
| Citation: | |
| Index Words: | haystack |
| Place: | France |
| Notes: | Rather than explore the reflectivity and color of the haystack, as most of his fellow Impressionists might have done, Sisley here turns the stack into a virtually colorless, dark silhouette, in contrast to the dappled sky and the flickering landscape around it. |
| Essays: |
| Image: |
 |
| ID: | 535 |
| Artist: | Sisley, Alfred |
| Artist Birth Date: | 1839 |
| Artist Death Date: | 1899 |
| Artist Country: | French |
| Title of Work: | Haystacks at Moret: morning light |
| Date of Work: | 1891 |
| Medium: | oil |
| Period/Style: | nineteenth century |
| URL: | http://www.ngv.vic.gov.au/european/em_ipa00232.html |
| Citation: | |
| Index Words: | haystacks, hayfield |
| Place: | France |
| Notes: | Strongly reminiscent of Monet's hay paintings, this work shows four shaggy haystacks, close together at the edge of a field, with a figure nearby to show that they are 12 or 15 feet high, too large for cocks, but too untidy to be permanent. |
| Essays: |
| Image: |
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| ID: | 536 |
| Artist: | Sisley, Alfred |
| Artist Birth Date: | 1839 |
| Artist Death Date: | 1899 |
| Artist Country: | French |
| Title of Work: | Landscape with haystack |
| Date of Work: | 1895 |
| Medium: | oil |
| Period/Style: | nineteenth century |
| URL: | http://www.hayinart.com/images/536.jpg |
| Citation: | Schwartz, Constance H. The Shock of Modernism in America. Roslyn Harbor, NY,1984, p.34, plate 47.[color] |
| Index Words: | haystacks, hayfield |
| Place: | France |
| Notes: | As in ID 534, Sisley's stacks in this painting are backlit, casting shadows onto a flecked field. The largest stack is domed, but not so tidily as meules of grain. Though darker than its context, the stacked hay is textured by swirls reminiscent of Van Gogh. |
| Essays: |
| Image: |
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| ID: | 537 |
| Artist: | Monet, Claude |
| Artist Birth Date: | 1840 |
| Artist Death Date: | 1926 |
| Artist Country: | French |
| Title of Work: | Haystacks at Chailly at sunrise |
| Date of Work: | 1865 |
| Medium: | oil |
| Period/Style: | nineteenth century |
| URL: | http://www.glyphs.com/art/monet/hayricks.jpg |
| Citation: | |
| Index Words: | haystacks, haycocks, sunset |
| Place: | France |
| Notes: | ^^^ This early Monet, owned by the San Diego Museum of Art, absent from Wildenstein's catalogue raisonne, was shown at the great 1995 Chicag Art Institute Monet retrospective, from which the following Glyphs notes are quoted. 'The relative sizes of the Haystacks as well as the inclination of the low-lying clouds leads the eye forcefully toward the vanishing point of the rising sun. This leftward-leaning composition is accentuated by the exaggerated horizontality of the canvas. The muted colors and relatively finished brushwork, along with the pyramidal shapes of the haystacks, convey a sense of permanence that somewhat contradicts the depiction of something as transient as a sunrise' (or, indeed, a haystack!) |
| Essays: | Missed stacks and mistakes |
| Image: |
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| ID: | 538 |
| Artist: | Monet, Claude |
| Artist Birth Date: | 1840 |
| Artist Death Date: | 1926 |
| Artist Country: | French |
| Title of Work: | Haystacks, overcast day |
| Date of Work: | 1884 |
| Medium: | oil |
| Period/Style: | nineteenth century |
| URL: | http://www.the-athenaeum.org/art/detail.php?ID=3451 |
| Citation: | |
| Index Words: | haystacks, haycocks |
| Place: | France |
| Notes: | ID 538 and ID 539 are very similar in all but the light and, in this regard, adumbrate the more famous grainstack series of 1890. Each has three haycocks, one to the right foreground, the others to the left, with the furthest being near the center, close to the same row of poplars. The overcast in ID 538 gives the haycocks a more intense russet color, gently highlit from above. |
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| Image: |
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| ID: | 539 |
| Artist: | Monet, Claude |
| Artist Birth Date: | 1840 |
| Artist Death Date: | 1926 |
| Artist Country: | French |
| Title of Work: | Haystacks at Giverny |
| Date of Work: | 1884 |
| Medium: | oil |
| Period/Style: | nineteenth century |
| URL: | http://www.the-athenaeum.org/art/detail.php?ID=3452 |
| Citation: | |
| Index Words: | haystacks, haycocks |
| Place: | France |
| Notes: | ID 538 and ID 539 are very similar in all but the light and, in this regard, adumbrate the more famous grainstack series of 1890. Each has three haycocks, one to the right foreground, the others to the left, with the furthest being near the center, close to the same row of poplars. The cocks in ID 539 are backlit slightly from the right; they cast a very short shadow on the ground, suggesting a time soon after noon. |
| Essays: |
| Image: |
 |
| ID: | 540 |
| Artist: | Monet, Claude |
| Artist Birth Date: | 1840 |
| Artist Death Date: | 1926 |
| Artist Country: | French |
| Title of Work: | Haystacks at Giverny (Meules a Giverny) |
| Date of Work: | 1885 |
| Medium: | oil |
| Period/Style: | nineteenth century |
| URL: | http://www.the-athenaeum.org/art/detail.php?ID=3488 |
| Citation: | Wildenstein, Daniel. Claude Monet: Biographie et Catalogue Raisonne. Lausanne; Paris: La Biblioteque des Arts, 1974-1991, cat 993. |
| Index Words: | haystacks, haycocks, hayfield |
| Place: | France |
| Notes: | Haycocks in a field lean left towards the sun. Trees, outside the composition to the left cast a large shadow which reaches the lower right corner. Four figures, identified by Wildenstein, walk in the shade towards the observer. At the edge of the field is a row of poplars. |
| Essays: |
| Image: |
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| ID: | 541 |
| Artist: | Monet, Claude |
| Artist Birth Date: | 1840 |
| Artist Death Date: | 1926 |
| Artist Country: | French |
| Title of Work: | Meule de foin |
| Date of Work: | 1885 |
| Medium: | oil |
| Period/Style: | nineteenth century |
| URL: | http://www.bridgemanartondemand.com/index.cfm?event=catalogue.product&productID=107998 |
| Citation: | Wildenstein, Daniel. Claude Monet: Biographie et Catalogue Raisonne. Lausanne; Paris: La Biblioteque des Arts, 1974-1991, cat 994. |
| Index Words: | haystacks, haycocks, resting |
| Place: | France |
| Notes: | Poplars at the right of ID540 are to the left of this scene. The shadow is even more widespread and reaches a haycock at the right of the frame, at the foot of which two figures, identified by Wildenstein as Alice and Michel Monet, are resting. |
| Essays: |
| Image: |
 |
| ID: | 542 |
| Artist: | Monet, Claude |
| Artist Birth Date: | 1840 |
| Artist Death Date: | 1926 |
| Artist Country: | French |
| Title of Work: | Meadow with haystacks (Pre a Giverny) |
| Date of Work: | 1885 |
| Medium: | oil |
| Period/Style: | nineteenth century |
| URL: | http://www.usc.edu/schools/annenberg/asc/projects/comm544/library/images/218.html |
| Citation: | Wildenstein, Daniel. Claude Monet: Biographie et Catalogue Raisonne. Lausanne; Paris: La Biblioteque des Arts, 1974-1991, cat 995. and Impressionist Giverny: A colony of artists, 1885-1915. Musee Americain de Giverny, and San Diego Museum of Art, 2007, p.101. |
| Index Words: | haystacks, haycocks, hayfield |
| Place: | France |
| Notes: | Boston Museum of Fine Arts. The closest cock is half cut-off at the left edge of the frame. There are three others, also left of center. The field is more densely enclosed by woodland than in most of the other Giverny hayfield paintings. |
| Essays: |
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