| Hay in Art Database: Search Results |
Your search returned 787 matches.
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| Image: |
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| ID: | 147 |
| Artist: | Isabey, Eugene |
| Artist Birth Date: | 1803 |
| Artist Death Date: | 1886 |
| Artist Country: | French |
| Title of Work: | Chateau de Pesteil |
| Date of Work: | 1832 |
| Medium: | lithograph |
| Period/Style: | nineteenth century |
| URL: | http://search.famsf.org/4d.acgi$Record?45984&=list&=1&=A036395&=And&=1&=0&=keywords&=Yes&=&=&=&=Yes&=&=f |
| Citation: | |
| Index Words: | haycart |
| Place: | France |
| Notes: | A full hay cart, unattended by people or horses, stands outside a castle's walls. |
| Essays: |
| Image: |
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| ID: | 157 |
| Artist: | Lambinet, Emile Charles |
| Artist Birth Date: | 1815 |
| Artist Death Date: | 1877 |
| Artist Country: | French |
| Title of Work: | Plaine de Satory, a Versailles |
| Date of Work: | 1849 |
| Medium: | oil |
| Period/Style: | nineteenth century |
| URL: | http://www.culture.gouv.fr/public/mistral/joconde_fr |
| Citation: | |
| Index Words: | haystack |
| Place: | France |
| Notes: | To the left two riders water their horses in a stream. To the right of the willows that divide the composition a haystack (or perhaps a grainstack) glows warm yellow between the trees. |
| Essays: |
| Image: |
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| ID: | 341 |
| Artist: | Wendel, Theodore |
| Artist Birth Date: | 1859 |
| Artist Death Date: | 1932 |
| Artist Country: | American |
| Title of Work: | Flowering fields, Giverny |
| Date of Work: | 1880s |
| Medium: | oil |
| Period/Style: | nineteenth century |
| URL: | http://giverny.org/museums/american/colperm/index.htm |
| Citation: | Musee d'Art Americain, Giverny, France. Impressionist Giverny: A colony of artists, 1885-1915. Musee Americain de Giverny, and San Diego Museum of Art, 2007, p. 88. |
| Index Words: | haycocks |
| Place: | France |
| Notes: | Wendel was one of a group of American artists who followed Claude Monet to Giverny in the 1880s. The primary subject of this painting is the meadow of flowers, but some of the elements in the background are present in Monet's work too: notably the poplars and row of small haycocks. |
| Essays: |
| Image: |
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| ID: | 343 |
| Artist: | Robinson, Theodore |
| Artist Birth Date: | 1852 |
| Artist Death Date: | 1896 |
| Artist Country: | American |
| Title of Work: | Bird's eye view: Giverny |
| Date of Work: | 1889 |
| Medium: | oil |
| Period/Style: | nineteenth century |
| URL: | http://www.the-athenaeum.org/art/detail.php?ID=13348 |
| Citation: | Metropolitan Museum of Art, NY |
| Index Words: | haystacks |
| Place: | France |
| Notes: | This overview of the village of Giverny was painted during a visit to Monet. The poplar-lined fields near the village may be the site of Monet's grainstacks. Some haystacks are visible among the roofs. The style is more reminiscent of Gauguin than of Monet. |
| Essays: |
| Image: |
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| ID: | 344 |
| Artist: | Breck, John Leslie |
| Artist Birth Date: | 1860 |
| Artist Death Date: | 1899 |
| Artist Country: | American |
| Title of Work: | Haystack at Giverny, Normandy: sun dispelling morning mist |
| Date of Work: | 1891 |
| Medium: | oil |
| Period/Style: | nineteenth century |
| URL: | http://www.the-athenaeum.org/art/detail.php?ID=11913 |
| Citation: | |
| Index Words: | grainstacks |
| Place: | France |
| Notes: | Monet's meules series heavily influenced Breck's version of the same grainstacks: in their shape, in the angle of the light coming from behind them, and even in the low silhouetted building at left. but the color of the stack is more literal, the paint more thinly applied to creative a flat decorative effect. The Adelson Galleries, in describing another Breck Giverny painting (ID 345), quoted a long letter from William H. Gerdts who seemed to refer to this haystack painting and others: Breck 'painted a series of fifteen small views of haystacks, purportedly showing the same scene at different times of a single day, from morning light to moonlight, though, in fact, the project occupied three days; they were known collectively as Studies of an Autumn Day. Twelve of the fifteen are known today (Terra Foundation for the Arts), housed in the Musˇe Amˇricain, Giverny.' |
| Essays: |
| Image: |
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| ID: | 345 |
| Artist: | Breck, John Leslie |
| Artist Birth Date: | 1860 |
| Artist Death Date: | 1899 |
| Artist Country: | American |
| Title of Work: | Grainstack, Giverny |
| Date of Work: | 1891 |
| Medium: | oil |
| Period/Style: | nineteenth century |
| URL: | http://www.adelsongalleries.com/sp98page1.htm |
| Citation: | Adelson Galleries, 1998. |
| Index Words: | grainstack |
| Place: | France |
| Notes: | In this other version, more accurately labeled, Breck's style is more impressionistic, but the overall effect is less abstract, thena the 'Haystacks' painting (ID 344). The Adelson Galleries quotes a letter from William H. Gerdts, who gives a useful context for this image. 'Many other early colonists such as [Lilla Cabot] Perry, [Theodore] Robinson, and Willard Metcalf, also painted landscapes in Giverny dominated by haystacks and grainstacks. The present picture by Breck of a grainstack is an independent rendering of the same motif, interpreted with considerably more color and livelier brushwork than Breck's fifteen-picture series, and much more descriptive of the local countryside, dotted with the homes of the local inhabitants and dominated in the background with the steep hills overlooking Giverny and the valley of the Seine.' |
| Essays: |
| Image: |
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| ID: | 348 |
| Artist: | Dessar, Louis Paul |
| Artist Birth Date: | 1867 |
| Artist Death Date: | 1952 |
| Artist Country: | American |
| Title of Work: | Peasant woman and haystacks, Giverny |
| Date of Work: | 1892 |
| Medium: | oil |
| Period/Style: | nineteenth century |
| URL: | http://giverny.org/museums/american/colperm/index.htm |
| Citation: | Impressionist Giverny: A colony of artists, 1885-1915. Musee Americain de Giverny, and San Diego Museum of Art, 2007, p. 113. |
| Index Words: | harvest, stooks, woman, rake, mistake |
| Place: | France |
| Notes: | A more egregious example of false labeling than the common meules confusion, this painting by Dessar, one of several Americans who settled in Giverny in the 1880s and 1890s, the 'haystacks' are more likely 'stooks' (French 'desmoiselles') in a grain-field. Nevertheless, we include it in our hay database for the beautiful foreground figure of a woman with a rake on her shoulder. |
| Essays: |
| Image: |
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| ID: | 349 |
| Artist: | Dessar, Louis Paul |
| Artist Birth Date: | 1867 |
| Artist Death Date: | 1952 |
| Artist Country: | American |
| Title of Work: | Summer sunlight |
| Date of Work: | 1894 |
| Medium: | oil |
| Period/Style: | nineteenth century |
| URL: | http://www.artnet.com/ag/fineartthumbnails.asp?aid=5161 |
| Citation: | Eckert Fine Art Galleries, IN |
| Index Words: | haycocks, woman, rake, resting |
| Place: | France |
| Notes: | As with Dessar's falsely labeled 'haystacks' scene (ID 348), this lovely painting has a woman with a rake in the foreground, here seated in the shade with her tool on the ground. She is half-turned away from the observer towards some authentic haycocks in the right background. |
| Essays: | Roles in the hay (work), Hay poets born in the late nineteenth century. |
| Image: |
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| ID: | 412 |
| Artist: | Nibbs, Richard Henry |
| Artist Birth Date: | 1816 |
| Artist Death Date: | 1893 |
| Artist Country: | British |
| Title of Work: | Haybarges in an estuary |
| Date of Work: | 1888 |
| Medium: | oil |
| Period/Style: | nineteenth century |
| URL: | http://www.hayinart.com/images/412.jpg |
| Citation: | Country Life v154 (July 12 1973) p supp 65. |
| Index Words: | hay-barge |
| Place: | France |
| Notes: | According to the sales annotation, Nibbs 'specialised in marine subjects and painted many scenes off the French Coast.' This one includes two broad, fully loaded hay barges, under furled sails, with smaller boats nearby. |
| Essays: | Hay on water |
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