Hay in Art Database: Search Results

Your search returned 94 matches.
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Image: Farmer whetting his scythe
ID:  133
Artist:  Mount, William Sidney
Artist Birth Date:  1807
Artist Death Date:  1868
Artist Country: American
Title of Work:  Farmer whetting his scythe
Date of Work:  1848
Medium:  oil
Period/Style:  nineteenth century
URL:  http://www.the-athenaeum.org/art/detail.php?ID=21906
Citation:   Frankenstein, Alfred. William Sidney Mount. NY: Abrams, 1975, plate 31 [color]
Index Words:  hayfield, scythe
Place:  New York
Notes:  ^^^ A serene composition, in which a gently smiling farmer, standing in a half-cut hay meadow sharpens his scythe. His balanced pose is is reinforced by the curving diagonal of the blade and the gentle arc of the handle. In the background, perfectly bisecting the frame is Long Island Sound and the low Connecticut shore beyond. The still standing, flowery meadow grass is particularly well done.
Essays:  

Image: Long Beach, Long Island
ID:  209
Artist:  Heade, Martin Johnson
Artist Birth Date:  1819
Artist Death Date:  1904
Artist Country: American
Title of Work:  Long Beach, Long Island
Date of Work:  1866-1876
Medium:  oil
Period/Style:  nineteenth century
URL:  
Citation:  Stebbins, Theodore. The Life and Work of Martin Johnson Heade: A Critical Analysis and Catalogue Raisonne, cat. 160.
Index Words:  haystack, sunset
Place:  New York
Notes:  A murky scene (in the black and white image) of an almost featureless Long Island marsh. The haystack at right seems to have been added later, since the dark horizon appears to cast a shadow through it.
Essays:  

Image: Sunset at Long Beach
ID:  220
Artist:  Heade, Martin Johnson
Artist Birth Date:  1819
Artist Death Date:  1904
Artist Country: American
Title of Work:  Sunset at Long Beach
Date of Work:  1867
Medium:  oil
Period/Style:  nineteenth century
URL:  
Citation:  Stebbins, Theodore. The Life and Work of Martin Johnson Heade: A Critical Analysis and Catalogue Raisonne, cat. 176. Novak, Barbara. Nature and Culture. NY: Oxford Univ Pr., 1980, p.98.
Index Words:  haystacks, sunset
Place:  New York
Notes:  The stacks are tiny, and so the marsh seems immense. The sun's disc is just above the horizon, left of center. Babara Novak observes that the cumulus lenticularis clouds, so common in Heade's marsh and sunset paintings, reinforce the horizontals, 'ordering a space that aspires to the mensurational infinity of classicism--a measured rather than immeasurable eternity.' [p. 98]
Essays:  

Image: Hay meadow at sunset
ID:  265
Artist:  Heade, Martin Johnson
Artist Birth Date:  1819
Artist Death Date:  1904
Artist Country: American
Title of Work:  Hay meadow at sunset
Date of Work:  1876-1882
Medium:  oil
Period/Style:  nineteenth century
URL:  
Citation:  Stebbins, Theodore. The Life and Work of Martin Johnson Heade: A Critical Analysis and Catalogue Raisonne, cat. 263.
Index Words:  haystacks, haycart, wagon, sunset
Place:  New York
Notes:  Stebbins' very dark reproduction murkily depicts a scene after sunset. To the left a wagon with figures can be barely seen. Distant stacks to the right.
Essays:  

Image: Landscape with haywain
ID:  288
Artist:  Whittredge, Thomas Worthington
Artist Birth Date:  1820
Artist Death Date:  1910
Artist Country: American
Title of Work:  Landscape with haywain
Date of Work:  1861
Medium:  oil
Period/Style:  nineteenth century
URL:  http://www.clevelandart.org/explore/artistwork.asp?artistLetter=W&recNo=38&workRecNo=0
Citation:  Cleveland Museum of Art
Index Words:  haycart, wagon, harvest
Place:  New York
Notes:  A steep-sided river landscape is the backdrop to a haymaking or harvesting scene in the foreground. The shape of the wagon-load and the piles in the golden field suggest a grain harvest rather than haymaking, the title of the work notwithstanding. The green valley and the dramatic sky are characteristic of the Hudson River school. The Cleveland Museum of Art commentary provides a valuable historical context: 'Painted during the first year of the Civil War, this idyllic view of a farm near Dobb's Ferry, New York, proclaimed to Northern viewers the success of an agricultural system in which farmers worked their own land. The American flag hanging beside the homestead subtly alludes to the war. Such a scene was thus a critique of Southern slavery. Yet the beauty of the landscape, the wagon carrying a bountiful harvest of hay and the long afternoon shadows, also offers an optimistic image of harmony between man and nature.'
Essays:  

Image: Chenango River, New York
ID:  292
Artist:  Cropsey, Jasper Francis
Artist Birth Date:  1823
Artist Death Date:  1900
Artist Country: American
Title of Work:  Chenango River, New York
Date of Work:  1856
Medium:  oil
Period/Style:  nineteenth century
URL:  
Citation:  Jasper Francis Cropsey: Artist and Architect.NY Hist Soc, 1987. plate 23.
Index Words:  haycart, wagon, haycocks, workers
Place:  New York
Notes:  The foreground is picturesque, the horizon sublime. A haymaking scene on the banks of a river in which five cows are wading. The loaded wagon is brightly illuminated at the extreme left, along with a tiny figure on top and another on the ground among the haycocks.
Essays:  

Image:
ID:  293
Artist:  Cropsey, Jasper Francis
Artist Birth Date:  1823
Artist Death Date:  1900
Artist Country: American
Title of Work:  
Date of Work:  1856
Medium:  oil
Period/Style:  nineteenth century
URL:   http://www.hayinart.com/images/293.jpg
Citation:  Jasper Francis Cropsey: Artist and Architect.NY Hist Soc, 1987. plate 24. [color]
Index Words:  haycart, wagon, haycocks, workers, storm
Place:  New York
Notes:  At the center of the composition but not in the foreground, workers load hay onto a wagon from cocks in a riverside field. The commentary in the NY Historical Society monograph on Cropsey quaintly calls this activity 'bailing', a most unusual use (and spelling) of this term! The text is more precise in its summary of Cropsey's meteorology (which deserves to be compared to that of Heade): 'cirrus and cumulus clouds are usually associated with soothing and poetical thoughts... whereas the nimbus [awakens] the deepest emotions of gloom, dread, and fear.' At the upper left of this painting, nimbus clouds are moving in to hurry the haymakers in their work.
Essays:  

Image: Landscape, or Haymaking
ID:  312
Artist:  Tryon, Dwight William
Artist Birth Date:  1849
Artist Death Date:  1925
Artist Country: American
Title of Work:  Landscape, or Haymaking
Date of Work:  1882
Medium:  oil
Period/Style:  nineteenth century
URL:  http://www.nationalacademy.org/perm/tryon.html
Citation:  Merrill, Linda. An ideal country: paintings by Dwight William Tryon in the Freer Gallery of Art. Washington, DC: Freer Gallery of Art, 1990, p.44
Index Words:  haycart, wagon, haycocks, haybarn, workers, rake, woman
Place:  New York
Notes:  A man forks hay to the top of a wagon pulled by two horses; another man with a fork arranges the load. Elsewhere in the field, a woman rakes hay into low cocks. In the background there is a very large barn. Tryon 'pictures a pleasant agrarian life very much in the French manner.' Merrill, p. 43.
Essays:  

Image: Broadway in Winter
ID:  666
Artist:  Sebron, Hippolyte Victor Valentin
Artist Birth Date:  1801
Artist Death Date:  1879
Artist Country: French/American
Title of Work:  Broadway in Winter
Date of Work:  1855
Medium:  oil
Period/Style:  nineteenth century
URL:  http://www.mcny.org/Collections/paint/Painting/pttcat31.htm
Citation:  
Index Words:  hay-sleds, transport, city, snow, winter, New York
Place:  New York
Notes:  
Essays:  Hay in winter

Image: New York
ID:  866
Artist:  Bellows, George
Artist Birth Date:  1882
Artist Death Date:  1925
Artist Country: American
Title of Work:  New York
Date of Work:  1911
Medium:  oil
Period/Style:  twentieth century
URL:  http://www.nga.gov/cgi-bin/pimage?68188+0+0
Citation:  
Index Words:  haycart, wagon, transport, city, New York
Place:  New York
Notes:  ^^^
Essays:  Hay poets born in the late nineteenth century.

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