Hay in Art Database: Search Results Your search returned 44 matches.
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Image: ID: 865 Artist: Rosen, Charles Artist Birth Date: 1878 Artist Death Date: 1950 Artist Country: American Title of Work: Haystack Date of Work: c 1911 Medium: oil Period/Style: twentieth century URL: http://www.hayinart.com/images/865.jpg Citation: Magazine Antiques v123 (February 1983) p.316. Index Words: hayshed Place: Pennsylvania Notes: A superior color reproduction of this (ID 4830) was found much later. Essays:
Image: ID: 1211 Artist: Kuerner, Karl J Artist Birth Date: Artist Death Date: Artist Country: American Title of Work: First cutting Date of Work: Medium: Period/Style: twentieth century URL: http://www.karlkuerner.com/images/Pr/firstcutting.jpg Citation: Cover of Logsdon, Gene. The contrary farmer. White River Junction, VT: Chelsea Green, 1995. Index Words: hayfield, windrows, square-bales Place: Pennsylvania Notes: Kuerner is a friend and neighbor of the Wyeth family in the Brandywine Valley of Pennsylvania. Andrew Wyeth made the Kuerner family and its farm famous. Essays:
Image: ID: 1212 Artist: Kuerner, Karl J Artist Birth Date: Artist Death Date: Artist Country: American Title of Work: Unloading straw Date of Work: Medium: Period/Style: twentieth century URL: http://www.karlkuerner.com/images/RF/unloadstraw.jpg Citation: Index Words: barn, square-bales, wagon Place: Pennsylvania Notes: The title specifies straw, but the bales are so finely and luminously depicted that we have to include them! Essays:
Image: ID: 1363 Artist: Sheeler, Charles Artist Birth Date: 1883 Artist Death Date: 1965 Artist Country: American Title of Work: Side of a white barn Date of Work: 1917 Medium: photograph Period/Style: twentieth century URL: http://www.getty.edu/art/collections/objects/o61838.html Citation: Index Words: barn, architecture Place: Pennsylvania Notes: Sheeler's Precisionism is well described in the Getty Museum annotation to this fine print in which the texture of the hay-pile in the foreground counterpoints the regularity of the architecture. 'Lines and texture define this view of the side of a white barn. In the photographic rendering, the white barn is a soft gray, punctuated by knots in the wood and shadows cast by the uneven boards. In the lower right corner of the image, a small window, a fence, and a chicken standing atop a pile of hay add visual weight yet surrender to the repetitive, vertical domination of the structure. Like every other line, the horizontal line dividing the areas of wood and plaster is drawn without a straight edge.' The location is possibly Bucks County, Pennsylvania, since another Sheeler image from 1917 in the Getty collection shows an Amish buggy from that area. Essays: Twentieth century hay poets born before 1940.
Image: ID: 1473 Artist: Witlin, Todd Artist Birth Date: Artist Death Date: Artist Country: American Title of Work: Farmers talking behind hay baler Date of Work: 1951 Medium: photograph Period/Style: twentieth century URL: http://www.hayinart.com/1473.jpg Citation: Harper, Douglas. Changing works: visions of a lost agriculture. University of Chicago, 2001, p.106 Index Words: baler Place: Pennsylvania Notes: Two farmers examine the latest baling equipment at the Great Allentown Fair in 1951. Essays:
Image: ID: 1560 Artist: Sampson, Harry L Artist Birth Date: Artist Death Date: Artist Country: American Title of Work: [Amish boys haying, near Lancaster, Pa.] Date of Work: 1947 Medium: stereograph Period/Style: twentieth century URL: http://ark.cdlib.org/ark:/13030/kt52901272/ Citation: MOAC. Keystone-Mast Collection, UC Riverside. Index Words: horses, wagon Place: Pennsylvania Notes: Essays:
Image: ID: 1734 Artist: McDonald, Mary Ann Artist Birth Date: Artist Death Date: Artist Country: American Title of Work: Amish farmer stacking hay bales Date of Work: 1988 Medium: photograph Period/Style: twentieth century URL: http://www.corbis.com/ Citation: LD001681 Index Words: wagon, Amish, square-hay-bales, Place: Pennsylvania Notes: An Amish youth stacks bales on a wagon in Lancaster County. Essays:
Image: ID: 1735 Artist: McDonald, Mary Ann Artist Birth Date: Artist Death Date: Artist Country: American Title of Work: Amish farmer baling hay Date of Work: 1988 Medium: photograph Period/Style: twentieth century URL: http://www.corbis.com/ Citation: LD001680 Index Words: square-hay-bales, early-baler, horses, Amish, technology Place: Pennsylvania Notes: Transitional technology is evident in this image of an Amish horse-drawn baler in Lancaster County. Essays:
Image: ID: 2631 Artist: Melrose, Andrew Artist Birth Date: 1826 Artist Death Date: 1901 Artist Country: American Title of Work: Summer in the Lehigh Valley, Pennsylvania Date of Work: Medium: oil Period/Style: nineteenth century URL: http://www.bridgeman.co.uk/search/view_image.asp?button=add&image_id=204297 Citation: Index Words: wagon Place: Pennsylvania Notes: Essays:
Image: ID: 2748 Artist: Wyeth, Andrew Artist Birth Date: 1917 Artist Death Date: Artist Country: American Title of Work: McVey's Barn Date of Work: 1948 Medium: tempera Period/Style: twentieth century URL: http://www.nbmaa.org/Gallery_htmls/wyeth.html# Citation: New Britain Museum of American Art Index Words: barn Place: Pennsylvania Notes: Painted in 1948, McVey's Barn depicts the interior of a dusty abandoned barn owned by Wyeth's Chadds Ford neighbor, John McVey. As is characteristic of Wyeth's painstakingly detailed paintings, McVey's Barn is dedicated to an accurate, almost tactile, description of the wild hay growing on the barn floor and the weathered wooden boards of the rafters and stalls. One can almost feel the warmth of the sun piercing through the window into the dusty atmosphere and smell the pungent odor of the hay. Yet despite the painting's vivid naturalism and its palpable sense of the here and now, the scene also contains a note of haunting melancholy. Stored in the rafters is an old sled, evoking memories of a distant past. Even more enigmatic is the windowpane-shaped beam of light that illuminates a covered wooden box. The sled and the coffin-shaped box hint at a hidden narrative, a deeper explanation for the picture beyond the realities of sunlight and texture. Yet, typically, Wyeth provides the viewer no answers. Death and decay is a major theme for Wyeth. In his works, vast open spaces, empty interiors, distorted space, or strange elongated angles become vehicles for discomforting emotions. Common or mundane objectsÑa bucket, basket, boat, or sledÑoften symbolize people not actually present in the picture. Stored-away objects, such as the sled, symbolize their absent owners and the passing of time. In this case, the barn evokes the memory of John McVey, who died shortly before Wyeth made this painting. What the painting does not record is the sled's rebirth. Wyeth himself has recounted that the new owner of McVey's farm took down the sleigh down and reupholstered it in bright red velvet. It was later seen in town as a storefront window Christmas decoration. Museum annotation. Essays: Hay poems of the late twentieth century.
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