| Hay in Art Database: Search Results |
Your search returned 6780 matches.
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| Image: |
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| ID: | 111 |
| Artist: | Stearns, Junius Brutus |
| Artist Birth Date: | |
| Artist Death Date: | |
| Artist Country: | American |
| Title of Work: | George Washington at Mount Vernon during hay harvest |
| Date of Work: | 1851 |
| Medium: | oil |
| Period/Style: | nineteenth century |
| URL: | http://www.corbis.com/ |
| Citation: | IH165335 and Vlach, John Michael. The planter's prospect: privilege and slavery in plantation paintings. Chapel Hill: UNC Press, 2002, p. 33. |
| Index Words: | wagon, horses, harvest, fork, sickle, rake, workers, African-american, resting, play |
| Place: | United States |
| Notes: | Although the Corbis caption describes this as a hay harvest scene, the wheat-colored standing crop, the sickles being used to cut it, and the sheaves on the ground and in the cart, all indicate grain of some kind. Nevertheless the picture is too full of interest to omit. The great man dressed in a blacksuit, is talking to a white overseer holding a rake; most of the other workers are dark-skinned males; a young woman serves them drinks from a bucket; nearby a white child braids flowers into the hair of his female playmate. This image was used to illustrate an essay |
| Essays: |
| Image: |
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| ID: | 112 |
| Artist: | Goya y Lucientes, Francisco Jose de |
| Artist Birth Date: | 1746 |
| Artist Death Date: | 1828 |
| Artist Country: | Spanish |
| Title of Work: | No habra los ojos (Don't open your eyes) |
| Date of Work: | |
| Medium: | etching |
| Period/Style: | eighteenth century |
| URL: | http://www.corbis.com/ |
| Citation: | CS003639 |
| Index Words: | haybed, woman |
| Place: | Spain |
| Notes: | A woman sleeps, with arms evidently tied behind her, on a bed of darkly depicted hay or straw. The chain in the background indicates a prison setting; Goya's title suggests the misery of her plight. |
| Essays: | Roles in the hay (play) |
| Image: |
 |
| ID: | 113 |
| Artist: | Turner, James Mallord William |
| Artist Birth Date: | 1775 |
| Artist Death Date: | 1851 |
| Artist Country: | British |
| Title of Work: | Straw yard |
| Date of Work: | 1808 |
| Medium: | etching |
| Period/Style: | nineteenth century |
| URL: | http://search.famsf.org/4d.acgi$Record?45835&=list&=1&=A039491&=And&=1&=0&=keywords&=Yes&=&=&=&=Yes&=&=f |
| Citation: | |
| Index Words: | horses, cart, barn, straw |
| Place: | England |
| Notes: | While the title indicates that Turner's subject is primarily straw (actually sheaves being carried from a cart onto a large stack to the right), the zoom feature allowsus to discover hay in the foreground near the horses. The largethatched hay-barn is also worth noting. |
| Essays: |
| Image: |
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| ID: | 114 |
| Artist: | Turner, James Mallord William |
| Artist Birth Date: | 1775 |
| Artist Death Date: | 1851 |
| Artist Country: | British |
| Title of Work: | Barge laden with hay |
| Date of Work: | 1808-1810 |
| Medium: | drawing |
| Period/Style: | nineteenth century |
| URL: | http://www.tate.org.uk/servlet/ViewWork?cgroupid=65752&workid=34470 |
| Citation: | |
| Index Words: | hay-barge |
| Place: | England |
| Notes: | A barely legible pencil sketch depicts a hay-barge on the Thames (London fog?) |
| Essays: |
| Image: |
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| ID: | 115 |
| Artist: | Turner, James Mallord William |
| Artist Birth Date: | 1775 |
| Artist Death Date: | 1851 |
| Artist Country: | British |
| Title of Work: | Simmer Lake, near Askrigg |
| Date of Work: | 1822 |
| Medium: | intaglio |
| Period/Style: | nineteenth century |
| URL: | http://www.tate.org.uk/servlet/ViewWork?cgroupid=999999988&workid=15133 |
| Citation: | |
| Index Words: | hay-barge |
| Place: | England |
| Notes: | A boat laden with hay and an empty wagon by a Yorkshire lake, that seems Norwegian in shape and scale. |
| Essays: | Hay on water |
| Image: |
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| ID: | 116 |
| Artist: | Turner, James Mallord William |
| Artist Birth Date: | 1775 |
| Artist Death Date: | 1851 |
| Artist Country: | British |
| Title of Work: | Dover from Shakespeare's Cliff |
| Date of Work: | 1826 |
| Medium: | intaglio |
| Period/Style: | nineteenth century |
| URL: | http://www.tate.org.uk/servlet/ViewWork?cgroupid=999999988&workid=17028&searchid=4658&tabview=work |
| Citation: | |
| Index Words: | haycart |
| Place: | England |
| Notes: | Haycart on high bridge along the Dover cliffs -- sublimely exaggerated. |
| Essays: |
| Image: |
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| ID: | 117 |
| Artist: | Cox, David |
| Artist Birth Date: | 1783 |
| Artist Death Date: | 1859 |
| Artist Country: | British |
| Title of Work: | Haymaking near Warwick Castle |
| Date of Work: | 1810 |
| Medium: | Watercolor |
| Period/Style: | Nineteenth Century |
| URL: | http://www.hayinart.com/images/117.jpg |
| Citation: | Connoisseur v193 (October 1976) p. 156. |
| Index Words: | wagon, horses, haycock, resting |
| Place: | England |
| Notes: | Haymaking in the meadows of the Avon, in the shadow of Warwick Castle, a few miles upstream from Stratford. The subtitle is the mid-day rest -- a common theme in hay paintings. Cox was praised by Ruskin as an artist whose 'pencil never falls but in dew..' In the words of the Connoisseur: 'The theme of the haycart as an indigenous part of English landscape belongs to him: he seems, almost, to have invented it. Yet the activity it represents is structural rather than decorative. The cart is always fully laden, a neat yellow block on the skyline. The horses make a chain of dark, active links between the cart and the neighboring passage. The figures, brightly touched in, animate the design with tiny gestures. [The Warwick Castle painting] is an anthology [of these themes].' Unfortunately, the reproduction is in black and white. |
| Essays: |
| Image: |
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| ID: | 118 |
| Artist: | Cox, David |
| Artist Birth Date: | 1783 |
| Artist Death Date: | 1859 |
| Artist Country: | British |
| Title of Work: | Building the hayrick |
| Date of Work: | 1824 |
| Medium: | watercolor |
| Period/Style: | nineteenth century |
| URL: | http://www.elginmuseum.demon.co.uk/pdf/etta_sharp.pdf |
| Citation: | #32, p.9 |
| Index Words: | haystack, wagon |
| Place: | England |
| Notes: | Haymaking in a mountain landscape, described by Susan Bennett in this Elgin Museum catalog as anecdotal homeliness but it also has elements of the sublime and picturesque conventions. |
| Essays: |
| Image: |
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| ID: | 119 |
| Artist: | Cox, David |
| Artist Birth Date: | 1783 |
| Artist Death Date: | 1859 |
| Artist Country: | British |
| Title of Work: | Hayfield |
| Date of Work: | 1833 |
| Medium: | Watercolor |
| Period/Style: | Nineteenth Century |
| URL: | http://www.hayinart.com/images/119.jpg |
| Citation: | Bulletin, Rhode Island School of Design [date?] fig. 73. |
| Index Words: | haycart, haycock |
| Place: | England |
| Notes: | In Cox's middle period, his work reflected the influence of Constable -- 'building up a picture in bright colors with short, flickering brushtrokes...[that] achieved great results in rendering weather effects and atmosphere.' This work shows a marshy hay meadow, with a loaded cart on a low horizon under a threatening, cloudy sky. |
| Essays: |
| Image: |
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| ID: | 120 |
| Artist: | Cox, David |
| Artist Birth Date: | 1783 |
| Artist Death Date: | 1859 |
| Artist Country: | British |
| Title of Work: | Going to the hayfield |
| Date of Work: | 1852 |
| Medium: | Oil |
| Period/Style: | Nineteenth Century |
| URL: | http://www.hayinart.com/images/120.jpg |
| Citation: | Connoisseur v84 (July 1929) p. 2. [col] |
| Index Words: | haycart, haycock, woman, women, weather |
| Place: | England |
| Notes: | According to the Connoisseur, this picture possesses an atmospheric quality and delicacy of colour unaffected by the woolly handling which mars many of Cox's more 'prentice efforts in the medium... It shows a man on a white horse and two women on foot carrying rakes, following empty wagons along a track towards a hayfield. There are a few haycocks in the field at left; towards the flat horizon a streak of sunshine suggest others; but the composition is dominated by a sky of darkly ominous clouds. This painting was seen in September 2006 in the Bath Gallery of Art. |
| Essays: |
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