| Hay in Art Database: Search Results |
Your search returned 6780 matches.
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| Image: |
 |
| ID: | 71 |
| Artist: | Murillo, Bartolome Esteban |
| Artist Birth Date: | 1617 |
| Artist Death Date: | 1682 |
| Artist Country: | Spanish |
| Title of Work: | Adoration of shepherds |
| Date of Work: | |
| Medium: | oil |
| Period/Style: | seventeenth century |
| URL: | http://www.corbis.com/ |
| Citation: | IH020161 |
| Index Words: | religion |
| Place: | Spain |
| Notes: | There is hay in the manger. |
| Essays: |
| Image: |
 |
| ID: | 72 |
| Artist: | Van de Velde, Adriaen |
| Artist Birth Date: | 1636 |
| Artist Death Date: | 1672 |
| Artist Country: | Dutch |
| Title of Work: | Haymakers in a landscape |
| Date of Work: | |
| Medium: | Oil |
| Period/Style: | seventeenth Century |
| URL: | http://www.bridgeman.co.uk/search/view_image.asp?button=add&image_id=77051 |
| Citation: | Gibson, Walter S. Pleasant Places:The Rustic Landscape from Bruegel to Ruisdael. UC Press, 2000, p.129 |
| Index Words: | haycart, wagon, haystack, haycocks, workers, resting |
| Place: | Netherlands |
| Notes: | A crowded Dutch landscape with a dozen figures, less than half of whom are working. The rest, in a tightly knit group in the foreground are variously flirting, eating, drinking and sleeping. |
| Essays: | Roles in the hay (play) |
| Image: |
 |
| ID: | 73 |
| Artist: | Siberechts, Jan |
| Artist Birth Date: | 1627 |
| Artist Death Date: | 1703 |
| Artist Country: | French |
| Title of Work: | Charrette de foin (hay cart) |
| Date of Work: | 1663 |
| Medium: | oil |
| Period/Style: | seventeenth century |
| URL: | http://www.culture.gouv.fr/Wave/image/joconde/0001/m062904_rimg2022_p.jpg |
| Citation: | |
| Index Words: | wagon, horses |
| Place: | France |
| Notes: | A horse-drawn wagon follows herd of cows in a river. |
| Essays: |
| Image: |
 |
| ID: | 74 |
| Artist: | Maratti, Carlo |
| Artist Birth Date: | 1625 |
| Artist Death Date: | 1713 |
| Artist Country: | Italian |
| Title of Work: | Adoration of shepherds |
| Date of Work: | 1690s |
| Medium: | oil |
| Period/Style: | seventeenth century |
| URL: | http://www.kfki.hu/~arthp/html/m/maratti/adoratio.html |
| Citation: | |
| Index Words: | religion |
| Place: | Italy |
| Notes: | There is hay in the manger. |
| Essays: |
| Image: |
 |
| ID: | 75 |
| Artist: | unknown |
| Artist Birth Date: | |
| Artist Death Date: | |
| Artist Country: | |
| Title of Work: | Make hay while the sun shines |
| Date of Work: | |
| Medium: | woodcut |
| Period/Style: | seventeenth century |
| URL: | http://www.corbis.com/ |
| Citation: | BE031354 |
| Index Words: | haycocks, rake, fork, woman, workers, lovers |
| Place: | |
| Notes: | ^^^ This crudely amusing woodcut has a crudely amusing title assigned by Corbis: Couple harvesting, couple making out |
| Essays: | Roles in the hay (work) |
| Image: |
 |
| ID: | 76 |
| Artist: | Stubbs, George |
| Artist Birth Date: | 1724 |
| Artist Death Date: | 1806 |
| Artist Country: | British |
| Title of Work: | Haymaking |
| Date of Work: | 1785 |
| Medium: | Oil |
| Period/Style: | eighteenth century |
| URL: | http://gallery.euroweb.hu/html/s/stubbs/haymake.html |
| Citation: | |
| Index Words: | wagon, horses, woman, women, workers, rake, fork |
| Place: | England |
| Notes: | ^^^ http://www.tate.org.uk/servlet/ViewWork?cgroupid=999999961&workid=13991&tabview=text&texttype=10 |
| Essays: | Roles in the hay (work) |
| Image: |
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| ID: | 77 |
| Artist: | Stubbs, George |
| Artist Birth Date: | 1724 |
| Artist Death Date: | 1806 |
| Artist Country: | British |
| Title of Work: | Haymakers |
| Date of Work: | 1794 |
| Medium: | enamel on ceramic |
| Period/Style: | eighteenth century |
| URL: | http://www.hayinart.com/images/77.jpg |
| Citation: | Connoisseur v.87 (April 1931) p. 235. Rosenthal, Michael. British landscape painting. Oxford: Phaidon, 1982, p. 93. Kidson, Alex George Stubbs: a celebration. Tate, 2006, p.8. |
| Index Words: | hayfield, women, rakes, tedding |
| Place: | England |
| Notes: | Thirty years ago, in the English weekly Country Life, Basil Taylor described Stubbs as 'the most searching an original interpreter of English rural life...[which] has had two obvious aspects: the utilitarian, represented by agriculture and the management of the land; and the sentimental, the belief that country living, even if it could only be experienced vicariously, is a desirable counterpart or alternative to urban existence.' These distinctions are reflected in two genres of landscape painting, the first descriptive, documentary, topographical, often naive, but in the hands of Stubbs raised to a very high level of sophistication and originality. Stubbs, in contrast to so many of his contemporaries and followers who leavened the drudgery of rural work with implied narrative, shows figures unconnected by conversation or flirtation, simply working. However, Stubbs' compositions are carefully staged, idealized tableaux, his characters unstained by dirt or sweat. In the 1785 Hay Carting the rakes and forks are tools, not just to move the hay but to stabilize and formalize the main pictorial elements into a serene triangle. The central woman with the vertical rake reappears in the oval-framed Haymakers nine years later; but the composition of the later work is less static: the scythers are given more space than the men and woman turning the hay with forks behind and on the right. In the 1795 version of Hay Carting (ID 78), the woman, no longer facing the spectator, is vigorously using her rake on a pile of sunlit hay; but her companions retain the poses and positions of the earlier work. |
| Essays: | Missed stacks and mistakes, Early hay poems from Lydgate to Hood. |
| Image: |
 |
| ID: | 78 |
| Artist: | Stubbs, George |
| Artist Birth Date: | 1724 |
| Artist Death Date: | 1806 |
| Artist Country: | British |
| Title of Work: | Hay carting |
| Date of Work: | 1795 |
| Medium: | oil |
| Period/Style: | eighteenth century |
| URL: | http://www.hayinart.com/images/78.jpg |
| Citation: | Connoisseur v.87 (April 1931) p. 215. Rosenthal, Michael. British landscape painting. Oxford: Phaidon, 1982, p. 92. Kidson, Alex George Stubbs: a celebration. Tate, 2006, p.8. |
| Index Words: | wagon, horse, woman, women, rake, workers |
| Place: | England |
| Notes: | In the 1785 Hay Carting (ID 76), the rakes and forks are tools not just to move the hay but to stabilize and formalize the main pictorial elements into a serene triangle. The central woman with the vertical rake reappears in the oval-framed Haymakers nine years later; but the composition of the later work is less static: the scythers are given more space than the men and woman turning the hay with forks behind and on the right. In this version of Hay Carting, the woman, no longer facing the spectator, is vigorously using her rake on a pile of sunlit hay; but her companions retain the poses and positions of the earlier work. |
| Essays: | Roles in the hay (work) |
| Image: |
 |
| ID: | 79 |
| Artist: | Stubbs, George |
| Artist Birth Date: | 1724 |
| Artist Death Date: | 1806 |
| Artist Country: | British |
| Title of Work: | Reapers |
| Date of Work: | 1785 |
| Medium: | oil |
| Period/Style: | eighteenth century |
| URL: | http://www.tate.org.uk/servlet/ViewWork?cgroupid=999999961&workid=13992&tabview=text&texttype=10 |
| Citation: | |
| Index Words: | harvesting, sheaves, stooks, sickle |
| Place: | England |
| Notes: | Seen in an exhibit of Stubbs' work at the Frick, May, 2007. Stubbs' harvest scene is comparable to his depiction of haymaking in the same year. The format and style are similar, but in Reapers the stolid overseer, in fine clothes on an equally fine horse, watches the work done by others, in contrast to Stubbs' hay paintings in which everybody works. The Frick curator compared Stubbs' paintings to nostalgic pastoral poetry celebrating the simple virtues of rural labor...popular among city dwellers. The details, from the texture of the sheaves to the shining stirrup, reveal nature both as it is and as it ideally might be. |
| Essays: | Missed stacks and mistakes |
| Image: |
 |
| ID: | 80 |
| Artist: | Montalegre, Joseph de |
| Artist Birth Date: | |
| Artist Death Date: | |
| Artist Country: | |
| Title of Work: | Inner part of the Lima Verrusosa |
| Date of Work: | 1708 |
| Medium: | engraving |
| Period/Style: | eighteenth century |
| URL: | http://www.corbis.com/ |
| Citation: | BE087959 |
| Index Words: | hay-poles, transport, city-hay |
| Place: | |
| Notes: | visual footnote of a series of illustrations of fruit: each has a similar composition: large botanically precise cross-section of a fruit above an architectural group with a street scene. Of interest in our context are the two workers carrying aload of hay on poles.http://www.raremaps.de/hesperides.html |
| Essays: |
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